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Cradle Adjustments

May 18, 2017

cradle_1_geverett

Making adjustments wasn’t quite part of my grand scheme of mounting prints. But when your prints aren’t exactly 6″x 6″, one has to do a little fudging.

Last week I put in an order for more unfinished cradles to mount prints. The edges get painted black and everything receives a protective UV coating. I’ve pulled out a few popular blocks and started printing using Caligo waterbased oil ink. One of the blocks I thought was 6×6, only to discover it was about 5.5″ x 5.5″. The only way to correct the problem was to bevel the cradle edge on the table saw. So far, so good! Now it’s time for a few layers of white gesso before the print addition.

I was hoping to be driving to California tomorrow to help celebrate Dave’s birthday. He has always wanted to go ride roller coasters and it seemed like the perfect surprise trip. Unfortunately, my back is still having major problems from last weekends dog trial in Washington State. Who knew 5 hours of driving would make so much trouble?! So, it looks like I won’t be doing any major travel anytime soon via air or car!  😦 Maybe, with a little luck, we can get out to Yachats. We shall see…

On the upside, Moby passed two out of three scents (anise and clove). Hazel passed the last one, clove. It will still be a while before getting Hazel on a trial since she hasn’t been interested in work. Moby will also have to wait for additional training to address his aggression issues and passing the birch scent.

 

Looking Nifty

May 5, 2017

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SaffronFern_towel basket2

A basket of finished towels! Not a bad site to behold. They still need one good washing before a hot iron and packaging of some sort. The jury is still out on which towel is the best. I’ll let consumers be the best judge.

Why did I choose these two colors? The blue and orange-yellow? It actually has to do with my grandmother. She was an artist who dabbled in many areas. One was copper enameling. Recently, I found some sweet 1 inch test squares she created (pictured below). I’ve had theses squares running around on my desktop and they were the inspiration to kick off this new project. I certainly didn’t match the blue and orange correctly, but it felt good enough for the first round.

color squares_1

Pushing forward with something

May 3, 2017

Today was the first WARM day here in the Willamette Valley. We hit 80F (26.6C)! Our spring has been overly wet and grey. Some of the native trees have been about 2 weeks behind schedule. On “normal years”, the Plumeria plants move outside around April 1. This year its a month late.

Current art related projects have been slowly coming to life. I’ve branched off into creating paper templates for screen printing kitchen towels. The towels are Eco Friendly, 100% cotton, made here in the USA, well, half the batch. The second batch are bleached and hemmed in India (not very eco friendly, but very pretty). Below is a photo of the non-bleached cloth with one of the templates laying over top.

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Currently, I only have 100 towels, which doesn’t sound like very much. They measure about 25″x 27″ ( 63.5 cm x 68.5 cm), a great usable kitchen size. It’s taking me over a day to design and cut the templates out of old Sommerset paper (the recycling of old prints). The templates are then used to burn an image onto a photo-emulsion coated screen. To really get things moving along will require more screens. I’m currently sourcing out new options.

In June, I’ll be participating at a one day Brownsville event. It will be the third year of the Cozy Rose Art sale. I’ll be bringing lots of towels, possibly some of the new format prints on blocks, maybe some garden silhouette work. Less than 2 months away and lots of things scheduled in between.

I’ll keep you posted as things progress forward!

Sheep Time

March 6, 2017

Jacobs_Sheep_2_geverettstudio

The deadline is approaching for submitting to the Leftover’s Print Exchange and one is finally moving forward! I’m using soft block for creating an image to speed things up. A few more tweaks and I’ll call it quits. I think!

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The image is of my favorite sheep buddy named Tractor. He’s a Jacob’s Sheep, known for growing from 4-6 horns. He’s super sweet and I totally love visiting him.

Cheek Scratches

Spring-ish weather has been slowly showing it’s face. Today, we woke to an inch of snow. Rain is expected for the remaining work week.

Removing the Sculpture

February 14, 2017

 

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All good things must come to an end, even temporary wall sculptures. Art in Rural Communities 2016-2017 was installed for 5 months in Halsey Oregon. Monday morning I removed my portion, “From the Land”, and brought it home.

Was it a success? How does one measure a success?? It’s difficult to tell from a small town. I don’t live there and have very little contact with residents. The few people I talked with REALLY loved the piece. One of the public works people wanted to purchase individual panels. He also wanted to make a template from one of the long panels in order to cut a metal duplicate (for one of the town residents). Hmmm, I did the design work and he wants to copy that design to make a duplicate for free. Not quite fair in my brain. I spent hours doing research and design for each panel and I won’t be giving anything away without fair payment. The limited funds I did receive certainly didn’t cover much when you account for research, design and fabrication (plus new machinery and supplies). This will most likely be my final entry into AIRC.  If I created less expensive work that didn’t suck the life out of me, then things might go a different direction. However, I’m an overachiever. Even with little funding I want to create work that I’m proud of and will push myself hard to achieve that level.

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Winter might not be the best time to display such a project. Shorter days and nasty weather certainly puts a damper on wanting to visit outdoor art. The piece was up during some impressive winter storms and SURVIVED! Big windstorms, ice, and snow confronted the west facing wall. Damage was minor and confined to warped plywood. Additional screws, along with more paint layers, could have prevented that issue . The main cutouts were fine. Even the skinny-cut portions had no visible damage. Besides the weather, another potential destructive force were the side mirrors on the semi-trucks pulling up alongside the building. Notice the arrow pointing down on the side mirror, about 12″ from my work. I’m so amazed it didn’t get scraped off the wall by a driver! Five months and no damage! Hurray!

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An ugly empty space now prevails on the long wall. Weathered outlines remind residents of what was there. The life, color & energy Bonnie and I created is gone. I feel sad for the librarian, TJ, who now has an empty view. Maybe more appreciation has been stirred for exterior public art and the difference it can make in small towns. Of course, with the new partial administration and POTUS, national funding for ANY arts could be cut from the budget (and would then have to rely completely on public support).

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How aware are people of the arts in their communities? What would happen if all art was removed? What if clothing designs disappeared? Architecture? Theater? Music? Dance? Literature? Fine Arts? Life certainly wouldn’t be life without creativity and the arts. I’ve always wanted to go around town and cover everything art related with sheets to bolster awareness. Nothing beautiful like the Christo’s draping of buildings. Cover everything in grey or black. Would that wake people up to what the arts do for society? It would be an interesting experiment….

Reexamining a Technique

February 8, 2017

lino-sketchn-scratch

There is an upcoming print exchange that I’ve signed up for and the deadline approaches. What subject should I attempt? What method should I jump on? Last year I created a drypoint on copper and I wasn’t terribly happy with the end result. Do I try it again or do a traditional block print? It’s been several years since attempting the technique of drypoint on linoleum and my brain is already having issues with the final outcome. For those unfamiliar with drypoint, I’m basically scratching lines on my block (copper , lineolum, plexi). The scratches grab ink and hold on to it during the inking process. Once the plate is inked and wiped, you run it through a press with your dampened paper over the top. The paper is pressed down into the scratched plate and picks up the inky lines. So, I need to keep in mind the fact that it’s the scratches that create the darker values. The below test is the lino block on the left and the printed paper on the right. Whites are not really “white” but a light grey. I used a water based ink which won’t be my preference for the finished work. I prefer oil based even though it’s messy. The mini test indicates to me that I’m heading in the right direction. Hopefully I can make a few corrections (somehow) on the main block where mistakes have already taken place.

drypoint-test

I’ll also start an eze-cut block to run in conjunction with this print. This technique works opposite. I’ll be removing the white zones and leaving black.  It will save additional stress on my tendons and finger joint issues. Which ever image comes out the best will be sent off for the exchange.

The final print image will be 4″ x 6″. Overall paper size limited to 5″x 7″.

Blue Fern

January 26, 2017

blue-ferns1_geverett2017

With the depressing state of the US government, I’ve decided to take a few days off from social media to work on art projects. First on the list is completing a small edition of the screen print tea towels. The fern image required a bit of touch-up before moving forward. Half of the morning was spent prepping ink, which I hadn’t expected. It’s been over a year since last checking ink status: some have deteriorated and have hardened/dried out. Not the best start to the new year! Anyway, I managed to crank out 21 tea towels once everything was set up properly. Hemming and an additional wash or two to come before gifting or selling.

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The studio partner hasn’t been the biggest help for any project. All she does is follow me around meowing and attacking my feet/legs for not doting on her constantly. Is it better to work in the cat zone or be surrounded by the crazy dogs? The cat is probably better, but not the ideal partner. After an hour+ of dedicated lap-time, she eventually left me alone for longer stretches of time.

Besides art & cat therapy, I’ve been receiving farm animal therapy! Below are a couple of pictures from Tuesdays visit with the friendly bunch (3 out of 6 animals are super friendly). I’m always thrilled to see them. The sheep/llama manage to put up with the extra treats and cheek/neck rubs. It must be hard for them to have a fan club.

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Fizz the Llama

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Mookie the Icelandic Sheep

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Tractor the Jacobs Sheep with wonky horns.

One of my friends commented that he thought Tractor should become a lead character in a children’s book. Hmm, I might have to explore that thought this year as I continue to focus on animals in art.